Sia
by Bradley Stern
filed under: Album Review, Annie, Frankmusik, Imogen Heap, Janelle Monae, Kate Havnevik, Kelly Clarkson, Lily Allen, Little Boots, Patrick Wolf, Pet Shop Boys, Royksopp, Sia, The Noisettes, Yeah Yeah Yeahs

Come every January, the promise and excitement of new music releases for the new year lies tantalizingly close upon the horizon. Though dozens of fabulous albums will be released this year, I thought I’d compile a list of some of my most heart-pumping, bar-raising anticipated releases for 2009. And just so we’re clear, the answer is yes: In my world, Kelly Clarkson fits that definition.

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Annie
As far as Pop Injustices go, it is well known within the industry that Nordic electro-chanteuse Annie truly took the cake in 2008 when her second major album, Don’t Stop, ironically stalled in production only weeks before its release. Annie’s endeavors were cast aside for more lucrative projects after a major corporate shake-up within the star’s former label, Island Records, leading to her eventual drop from the label.
Luckily, she hasn’t given up on the album just yet. In fact, According to a new interview with Exclaim, Annie still owns the original masters of the tracks, and she’s more than willing to give them a proper home at another label. With some time to kill and some new tracks slipped under her Casio keyboard, she’s now aiming to make an album twice as nice as before. With a pending release under Richard X’s record label, “Anthonio,” as well as Don’t Stop favorite, “My Love Is Better” lined up for the first quarter of ’09, perhaps Don’t Stop can finally start revving itself up again.

Why It Could Be So Right: Don’t Stop: The First Time Around
Where It Could All Go Wrong: The Second Great Depression.

DL: Annie – 2 Of Hearts (zShare)

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Pet Shop Boys
Let’s hear it for the Boys: After a three year waiting period since their last effort, Fundamental, the iconic electronic duo is gearing up for a new studio album due out March 23, entitled Yes. Anticipation for the album’s release surged when it was announced that Xenomania, the purveyors of glam-pop perfection, would be taking the helm of the production for this new album. With the album already deemed by PopJustice! as “quite good” and the lead single “Love Etc.” described as nothing we’ve ever heard before (in a good way!), the new album may just be the Boys’ punchiest yet.

Why It Could Be So Right: Xenomania; Thinly veiled references to homosexuality
Where It Could All Go Wrong: Country twang and barn sounds.

DL: Pet Shop Boys – It’s A Sin (Barfly Mix) (zShare)

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Röyksopp
Torbjørn Brundtland and Svein Berge are only moving up: The two began with 2001′s Melody A.M., an aural accomplishment of trip-hop infused ambient noise and slow sizzling beats. With their follow-up The Understanding in 2004, the two headed into a more mainstream pop direction, enlisting the help of The Knife‘s Karin Dreijer, as well as ethereal crooner, Kate Havnevik. The pairing resulted in some of the most essential tracks on the album (“Only This Moment,” “What Else Is There?”), exercises in high-brow pop innovation and brooding electronica.
Following the announcement of the band’s 10th year anniversary came the announcement of Junior, their third major album due March 23. The electro-duo seem to have benefited from a newfound spring in their step, as evidenced in their buoyant, bouncy new single, “Happy Up Here.” Most exciting of all, Röyksopp are not only once again working with Karin Dreijer, but have also enlisted the help of indie darlings Lykke Li and Robyn for their newest release. The latest promotional shots have all featured the boys grinning from ear to ear, so who knows? Perhaps there’s a reason they’re smiling so much.

Why It Could Be So Right: Nordic Pop Perfection, Guest vocals
Where It Could All Go Wrong: Guitars.

DL: Röyksopp – Happy Up Here (zShare)

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Imogen Heap
You’ve no doubt heard this sweet songstress somewhere before: Teaming up with Guy Sigsworth as part of side-project Frou Frou, lining the soundtracks of your favorite FOX drama, or perhaps even performing live on Indie 103. Well, Imogen’s stepping back into the spotlight, having been busying herself in preparation for the follow-up to 2005’s spectacular solo album, Speak For Yourself.
Following a move back into her British childhood home, the singer-songwriter decided to build an in-house studio. During the noisy process, the singer had an epiphany: To implement the clicks, clacks, and squeaky sounds of her home directly into her songs, adding what should prove to be an intriguing, organic element to her new music. Recent teasers played in Immi’s weekly video blogs seem to suggest brilliance as usual…Look for this one to hit stores around late-April or May.

Why It Could Be So Right: Concept albums.
Where It Could All Go Wrong: Probably can’t…It’s Imogen Heap.

DL: Imogen Heap – Headlock (zShare)

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Kelly Clarkson
Remember that widely reported and entirely overblown altercation between Kelly Clarkson and Clive Davis? Well, say what you will about the matter, but Davis had it right—Clarkson simply wasn’t ready to write her own rock.
To be fair, My December hardly profited from any more gritty ‘tude than her previous album, Breakaway. Yet unlike the groundbreaking album that catapulted Clarkson from the likes of talent show hack to bhona fide belter overnight, My December suffered an aggravating amassing of angst-fueled lyricism that failed to translate into sales, stalling the album’s performance on the carts and failing to propel the deeply unappreciated single “Sober” to its deserved potential.
Nevertheless, the true Idol original has seemingly sucked it up and teamed up with mega-pop titans, including Ryan Tedder (“Apologize,” “Bleeding Love”) and Dr. Luke, responsible for her post-“Since U Been Gone” stormer, “My Life Would Suck Without You.” Judging by the track, Clarkson’s sound hasn’t changed one bit–She’s just added a few, catchy new hooks into the mix.

Why It Could Be So Right: Effortless vocals.
Where It Could All Go Wrong: A renewed desire to fight the man.

DL: Kelly Clarkson – My Life Would Suck Without You (zShare)

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Utada
After over four years, the J-Pop megastar is finally planning to return to our side of the shore with the follow-up to her 2004 major label English debut, Exodus. Though the album never took off in sales, it remains one of the finest moments of synth eccentricity and smart-pop ingenuity within her entire back catalog.
After the premiere of the album’s R&B-tinged, hook-heavy lead single, “Come Back To Me,” it seems Hikki’s seeking a radio hit with this new album. As a result, I’m willing to bet we’ll see some star-studded production by blockbuster hip-hop hit-makers, including Timbaland and Rodney “Darkchild” Jerkins—longtime collaborators and friends. Look for Utada’s upcoming album to drop on March 24 in the States.

Why It Could Be So Right: Alanis-inspired divorce angst.
Where It Could All Go Wrong: Kuma-Chan…‘Nuff said.

DL: Utada – Come Back To Me (zShare)

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Frankmusik
For those still unaware, Frankmusik is the Most Exciting Man in Pop. It is no surprise then that his upcoming debut is set to be the Most Exciting Debut in Pop for ‘09. With a sound as frenetic and jittery as the nauseating background images on his MySpace, Mr. Vincent Frank is paving the way for the new generation of DIY-electro online artists. Leading off with a new single for the new year (“Better Off As Two”), it’s only a matter of time before the public catches the buzz. Look for Complete Me to hit stores around June.

Why It Could Be So Right: Access to studio equipment, continued perfection
Where It Could All Go Wrong: Lucrative photoshoot offers from gay magazines.

DL: Frankmusik – Better Off As Two (zShare)

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Little Boots
Little Boots is going to be the next big thing in 2009. But don’t take my word for it—ask the British! The BBC recently knighted the DIY-electro superstar as the official “Sound of 2009,” meaning that she’s probably about to have some nice things happen. Like fellow MySpacer Frankmusikm Little Boots has been teasing her fan base with an ever-cycling array of tracks on her MySpace, as well as an adorable selection of weekly pop covers on YouTube. The grainy videos feature the little star hammering away at her Casio, wailing away toward the sky. Each week, Ms. Boots attacks her track of choice with the same intensity and sincerity, whether she’s covering Hot Chip or Miley Cyrus. Give it up, Lady Gaga, there’s a true disco diva coming to save pop. Stay tuned for her electro-fied debut sometime in the second half of the year.

Why It Could Be So Right: Known Kylie Minogue fan.
Where It Could All Go Wrong: Marriage proposal by Frankmusik, resulting in flight off into the countryside

DL: Little Boots – Stuck On Repeat (zShare)

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Lily Allen

British potty-mouth and original MySpace ce-webrity Lily Allen has managed to stay within the musical spotlight for over three years now with only one album under her brightly-colored summer dress, 2006’s genre-mashing Alright, Still. With some new friends behind the mixing table (Greg Kurstin) and some new funds to work with, Allen’s sound has already transformed into a much more polished production for 2009’s It’s Not Me, It’s You, due February 9. Fear not, Allen admirers—she’s still the same ol’ brat. Just listen to the lead single, “The Fear,” the tongue-in-cheek, world-weary woe song of a socialite. It’s better than anything from Alright, Still, a probable sign of the new album’s quality.

Why It Could Be So Right: Stupid girls still thrive in society.
Where It Could All Go Wrong: MySpace shuts down.

DL: Lily Allen – The Fear (zShare)

Judging from the list, it seems this may be the year of the MySpace star…Or the Norwegians. Anyway, this is but merely the beginning! Look out for more amazing releases from the likes of dozens more, including: Patrick Wolf, The Noisettes, the Yeah Yeah Yeahs, Kate Havnevik, Depeche Mode, Janelle Monae, and Sia.


by Bradley Stern
filed under: Danity Kane, Girls Aloud, Hercules And Love Affair, Janet Jackson, Kaskade, Kylie Minogue, Lady Gaga, Moby, Mylène Farmer, Namie Amuro, Radiohead, Sam Sparro, Santogold, Sia, Sugababes

Obnoxious I know, considering that I’ve only just posted the Best Albums of 2008. But alas, it’s snowing…Hard. And when it’s snowing this hard, there’s only one thing to be done.

BLOG. IT. UP.

Somewhere after the top five single reviews, I wondered about how I would write up the remaining ten tracks (read: got lazy). Suddenly, I thought up the genius idea of making my reviews correspond to their song’s ranking in word quantity! And so, the idea has now been brought into fruition. And yes, I’m counting hyphenated words as one complete word.

I’ve had myself some fun. And now, I present…The Top 15 Tracks. Err, well…20.

I couldn’t resist!

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Squeezing in…
20. Sia – Soon We’ll Be Found
19. Janet Jackson – Feedback
18. Will Young – Changes
17. Mylène Farmer – Degeneration
16. Madonna – Give It 2 Me

15. Hercules & Love Affair – Blind
Pitchfork proclaims it top dog, but the “coming out” corker merely sizzles beneath the surface.

14. Girls Aloud – The Promise
Slowing down the tempo, the Girls don’t always need Hi-NRG tracks…just some glitter.

13. Britney Spears – Womanizer
New Britney is on a mission, plaguing your dictionaries for years to come.

12. Sugababes – No Can Do
Fabulous track from a fabulous album, the Babes’ sassiest release in years.

11. Santogold – L.E.S. Artistes
Hipster’s delight, mashing genres and crunchy beats. Where’s my skull necklace?

10. Namie Amuro – WHAT A FEELING
Spine-tingling electro reinterpretation, still paving the way for J-Pop.

9. Danity Kane – Damaged
Do, do you, got a first aid kit handy?

8. Sam Sparro – Black & Gold
Slow burning electro gold, never truly grows old.

7. Radiohead – Reckoner
Chanting bliss, especially within the middle eight.

6. Moby – Disco Lies
Purest dance, shame about the video.

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5. Kaskade – Move For Me

Easily the finest trance track of the year, Kaskade’s “Move For Me” remains as gorgeously ethereal as it did upon the very first play. Late night synth sounds elevate the track into intergalactic proportions, while breathy, world-weary vocals weave disillusionment in between the beats: “Where do we come from? / Do I know your name? / Doesn’t really matter / In this life, we’re all the same.” Luscious! To this day, my post about the track is still the most searched track of the entire blog…Now that’s saying something.

In five words: Crying at the discotheque.

ecae0d18adba25bcb5a5f121b90cec5b MuuMuse Presents: The Best Singles of 20084. Kylie Minogue – The One

“The One” is, without question, the highlight of Kylie Minogue‘s 2007 album, X. A classic, timeless moment of New Wave warmth and echoey ooh’s and aah’s, the single is the epitome of electro-pop perfection. And despite initial disappointment upon learning the track had already been semi-formed in 2006 under a different artist, its initial impact remains unscathed. In the greatest pop injustice of 2008, “The One” saw a digital release in only a scattering of territories, a phoned-in kaleidoscopic video, and a scrapped-last-minute physical release, completely and utterly gutting the track’s full potential. It will remain one of Minogue’s greatest missed opportunities…We will never forget!

In four words: Love me, love me.

5ca00743af83ec8cf4d2574850a231be MuuMuse Presents: The Best Singles of 20083. Lady Gaga – Just Dance

Prior to the release of the Girls Aloud and Britney albums, Gaga’s debut single was determined to remain my number one track for the year. As simple as it is instant, “Just Dance” was responsible for ushering in a torrent of artist requests for Lady Gaga’s writing skills and RedOne’s electro beats, “Just Dance” is a thoroughly crafted work of chiseled pop perfection. Through and through, the song is solid. I believe I’ve said it before, but “Just Dance” is the first track in years that has given me the “Since U Been Gone” effect–That instant vibe that a track is about to be colossal. Though its rather annoying that the song is only now climbing the Top 10 and gaining national attention (as it was originally released in April), it is a deserved amount of recognition nonetheless.

In three words: Dance all night.

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2. Girls Aloud – The Loving Kind

In the Girls’ most tender track to date, this dream team collaboration with the Pet Shop Boys is truly the stuff of dreams (that glitter!). Five seconds short of being a four minute masterpiece, “The Loving Kind” is 2008′s “The One”: A timeless synth stomper intermixed with lyrics of longing. There are dozens of moments of brilliance interspersed throughout the track, though nothing will top Nicola’s show-stealing shouting bits in between the choruses. And sure, they can’t sing it live yet, but give the gals some time…After all, Perfection always takes some practice.

In two words: Love me.

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1. Britney Spears – Circus

In her finest moment since 2004′s “Toxic,” Britney Spears takes back the reigns as the true ringmaster of this circus in this whip crackin’, adrenaline packin’, booty smacking stomp fest. “Circus” has already proved to be a massive smash, landing #3 on the singles charts despite establishing a formal release date. Seriously, this is a fully functioning performance piece, bursting with energy, sound, and movement. Was I influenced after having seen this go down live? Probably, but this isn’t getting old for me, and I sure don’t see it running its course anytime soon. Run that ship tight, bitch!

In one word: Perfection.

DL: Kaskade – Move For Me (Mediafire)
DL: Kylie Minogue – The One (Freemasons Vocal Club Mix) (Mediafire)
DL: Lady Gaga – Just Dance (Mediafire)
DL: Girls Aloud – The Loving Kind (Video Mix)
DL: Britney Spears – Circus (Junior Vasquez Remix Edit) (Mediafire)


by Bradley Stern
filed under: Sia


I’m headed off into the city today, but before that, I knew I had to post this glorious clip of Sia‘s performance of “Soon We’ll Be Found” on Late Night with David Letterman on Thursday night!

There are many points of visual pleasure within the performance: The all-white, ’60′s backdrop, that dream-like vintage gloss, the slight flourish of color painted on Sia’s hands contrasting against her little black dress.

Of course, nothing really compares to those incredible high notes achieved at the final seconds of the song. Incredible, incredible delivery…Superior to the studio recording! And did you see how giggly she gets after David comes and kisses her hand? Love it.


by Bradley Stern
filed under: Amy Winehouse, Sia

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I almost forgot, Sia’s album Some People Have Real Problems came out two days ago! 1169836 170x170 Someone take away the markers.Unless you downloaded when it leaked about four years ago. Well, not that long, but it was a damn shame that it leaked so early on. Sia is such a mysteriou little talent. You may know her from her work with Zero 7, as the vocalist on some of their tracks. She’s got a tortured, complex voice that often resembles the jazzed, undecipherable stylings of Amy Winehouse. She had a bit of a nervous breakdown after the initial success of her first album, but she’s brought it back with her second and third albums. This third effort is probably her most melodic and mainstream yet. I found her when I was bawling my eyes out like a little bitch during the series finale of Six Feet Under, when her luscious “Breathe Me” came on, and I suddenly had to know who was singing. It’s still my most played Sia track by far, but I realize it’s nice to listen to her other tracks sometimes too.

Volume’s a bit low on this, sorry. Just a sampler for you all.

DL: Sia – Little Black Sandals

Don’t forget to buy Sia’s album, Some People Have Real Problems Someone take away the markers. at Amazon!

And you, what do you think?


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