It’s been over twelve years (dear God, we’re old) since Melanie C first released her legendary trance anthem, “I Turn To You.” Now, Sporty’s about to get dance-y all over again.

The talented Spice Girls chanteuse has teamed up with London DJ/producer/Queen of Clubs Jodie Harsh to release The Night on May 13, a 3-track EP of club-pop grooves.

I happened to get a bit of an Excluusive first listen a while ago, and I can confirm that it’s quite the lil’ corker of a collection: “Set You Free” was an instant favorite with its Ibiza-lite chorus (“Let the music set you free!”) and dub-y verses, while “Walk Away” is a sad, sparkling electro-ballad that floats atop a tripping beat. “As I walk away, a change in atmosphere/There’s nothing left to say, the skies begin to clear,” she sings.

Below is a 30-second teaser of “Sunrise,” which is a pretty solid indication overall of what’s to come. Pound the alarm!

The Night EP will be released on May 13. (iTunes)

Here come the girls: Rumors have swirled for months, but according to an article in the New York Post earlier today, Una, Mollie, Vanessa, Rochelle and Frankie–together known as The Saturdays–have signed a deal to head stateside for an upcoming reality show on E!.

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Heard of Stooshe? They’re a rising UK pop trio, and the only girl group listed on BBC’s Sound of 2012 longlist. And as you can see above, they’d like to be taken seriously, thank you very much.

With effortlessly melodic, soulful voices a la En Vogue or The Sugababes and a perky power punch of personality (think a slightly more X-minded version of the Spice Girls or The Dolly Rockers), the girls have making strong waves in the UK already. After the release of their debut single “Betty Woz Gone” back in October, the cheeky trio is about to service their brand new second single on March 5: “Love Me,” featuring Travie McCoy. (Cheryl Cole, The Saturdays…is there a girl group he hasn’t worked with yet?)

With its swinging ’60′s surf-pop charm, “Love Me” is an immediately infectious, twinkling jam full of fun ‘n’ sassy lyricism and cutting hooks: “Oh, your chocolate got me melting/Baby, got me melting all my days/Let me give you double helpings/You’ll be screaming baby, baby, baby!” the girls yelp.

For those following the lewd ladies from the start just a few short months ago, you’d know that “Love Me” was originally released as “Fuck Me”–and those lyrics? Well, they were a whole lot ruder: “Free your mind…and the rest I’ll swallow!” Amazing, but hardly radio-friendly. Thus, “Love Me” was born.

I’m still not entirely sure what to make of these girls just yet–they’re either as infectiously rambunctious as the Almighty Spice in a sex shop, or as yell-y and obnoxious as Jessie J. in, well, everything–but it’s hard to deny the supreme hook-heavy pop quality of “Love Me.” So far, I’m in!

Looks like this is just the beginning for this trouble-making trio, so get yourselves acquainted now! Get ready to enter the loveeee hotel…

“Love Me (feat. Travie McCoy” will be released on March 5. (iTunes UK)

A few years ago, you could take a walk down to Bleecker Street and catch a show at a small venue called The Bitter End featuring back to back performances from two of Manhattan’s most up-and-coming artists: Stefani Germanotta and Lelia Broussard.

One would ultimately ask Cher to hold her meat purse and get blasted by Bette Midler for coming out on stage dressed as a mermaid in a wheelchair, while the other would be a final contender to be the first unsigned artist to grace the cover of Rolling Stone magazine.

On August 2nd, Rolling Stone will announce which unsigned artist will be the first to make the magazine’s cover – and the contest has narrowed its way down to two finalists. Will alt-rock quartet The Sheepdogs win or will the quirky Lelia flash her signature facial-warpaint on the most esteemed music journal in the biz?

If anyone is close to stealing Florence Welch’s crown as queen of the indie chanteuses, it’s Lelia Broussard. Ever since her most recent album, Masquerade, came out in November of last year, Lelia has exploded onto the scene. No, really. I challenge you to find a coffee shop, book store, or Forever 21 that doesn’t have her song “Satellite” (written about “a sad robot in love”) on constant loop.

On August 24th, Lelia will be performing a very special one-stop show at the Highline Ballroom in New York. I caught up with Lelia to talk about what to expect from the show, how the Rolling Stone contest has impacted her life, which one of the Spice Girls she most identifies with, and more.

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If you’re like me, you spend a majority of your night lying awake in bed wondering aloud: “What are the Spice Girls doing with their lives right now?”

Well, Victoria‘s busy being flawless and pushing out babies named after magazines and fashionable jeans. Mel B is busy being pregnant, Emma‘s being mommy-like and hosting radio shows, and Geri‘s busy getting her biddies out with both an upcoming bikini line and new music. (Which of the two will burst out first? Who knows!)

As for Melanie C? She’s about to release her fifth studio album, The Sea.

After the quiet release of the (very good) “Rock Me” in June as an official tie-in with the 2011 FIFA Women’s World Cup (keeping it Sporty, always!), the singer has come rocketing back with the (amazing) official lead single from the campaign: “Think About It.”

Recorded with Adam Argyle (who also worked on Melanie’s last two studio albums) and Danish producer Cutfather (Kylie Minogue, The Wanted), “Think About It” might best be described as a perfect mash-up between “Raise Your Glass,” “Last Friday Night (T.G.I.F.)” and “Teenage Dream,” meshing the gritty guitar verses of P!nk and Katy Perry‘s rebel revelry anthems and mixing them up with the masterfully lush, dreamy choruses of Perry’s 2010 summer smash.

Is it the most original song? No, not particularly–it’s essentially the greatest parts of Teenage Dream. But one listen to those gorgeous, soaring vocals and pulsing summery synthesizers and you’ll likely forget that you probably heard this one playing on the radio before.

To order the limited edition “Think About It” CD single, click here.

The Sea will be released on September 4. (iTunes)

Get your tits out, everyone–it’s time for another round-up of the X Factor performances!

This week’s theme was “Guilty Pleasures,” which is basically a completely subjective, completely bullshit category that resulted in the judges inevitably squabbling over what defines a guilty pleasure and why certain artists were considered “guilty” in the first place. What a hoot.

More importantly, Cher Lloyd was officially AMAZING. Read on!

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There was a lot of love in the air this year at the BRIT Awards. Not between the artists and the hosts, God no!–there was hardly any of that going on between all the cracking, bitchy commentary–but rather for the audience. There was Cheryl Cole fighting for our love as only she knows how, Florence Welch delivering hers to us with the help of an unfortunate rap interlude, and yes–even Courtney Love herself.

Let us now cycle through some the best, worst, and weirdest moments of the night. Love to love you, baby!

10. In A UK State of Mind

Nothing is as epic sounding as when Jay-Z and Alicia Keys perform “Empire State of Mind” together, but watching one of the greatest modern celebrations of New York go down in Londontown felt a bit, err..off.

Then again, this may be due to Lil Mama‘s absence–you were truly missed tonight.

9. Doing it For The Adults

Host: “You’re performing a medley…doing some oldies?”

Robbie Williams: “Yeah, mostly oldies, because the new stuff’s shit.”

8. Over-saturated with Spice

At first came euphoria. Then nostalgia. Then, way too much of a good thing. It was wonderful seeing (two fifths) of the Spice Girls win their award for the “Best Performance in 30 Years” category, but it soon became clear that the producers of the show had few celebrities to help buy time between the performances aside from Mel B and Geri. Again and again, the cameras cut to one of the two, and each time, it got a bit more painful: Awkward banter about living in L.A.! Geri wishing she knew the words to a Lady Gaga song! Next time, just cut to a still frame of Victoria Beckham frowning for two minutes. Our lives would be better, I assure you.

7. JLS Wins

Twice. And no one cares (aside from the audible boos.)

6. Whoa-oh-oh, I’m on a Rocket (And Drugs!)

Lily Allen, who opted for the “Joan Collins on crack” look came in on a sadly sinking rocket while performing “The Fear,” and then it all just sort of fell to pieces from there. Dancers! And colors! And baby carriages! And now we’re stage left! And now over to the right! I don’t know what just happened, Lily’s got no clue where she is, and I think I just saw Lady Gaga and Courtney Love making out in the audience.

5. Can’t Read My Telephone Face

Looking a bit like the Bridge of Frankenstein twice dabbled in cocaine dreams, Mademoiselle Gaga indulged the audience in an acoustic version of “Telephone” (the song about getting drunk in the club was performed in tribute to Lee McQueen, interesting choice), before launching into an all-too anticipation ridden, fragmented rendition of “Dance in the Dark.”

Sadly, by the time the singer collapsed in vogue following the song’s, well, “Vogue”-esque breakdown, so too did the performance, effectively blue balling the entirety of Britain and cutting short what could have been an outrageously epic performance. Still, I loved the use of the free-standing keytar…and the towering statue of the pop star herself, of course.

Subtle, as per usual.

4. Everybody’s Starry Eyed

Ellie Goulding wins the Critic’s Choice Award! (Pictured here with producer and friend, Starsmith).

3. Lily Alkie

Lily Allen, now opting for the “Joan Collins on crack in an orange wig” look, came bumbling on stage to accept her award for British Female Solo Act. After accepting the award on stage came this moment of brilliance backstage:

Host: “How are you going to celebrate Lily?”
Lily: “I’m…uh…I don’t know. Drink, maybe.”

2. You’ve (Almost) Got the Love

Everything about Florence’s performance tonight was lovely and almost perfect: The flowing gown and fiery red hair, the spot-on vocals, the fluttering hearts that cascaded at the song’s finale. So why almost The daft choice to add Dizzee Rascal into the mix, resulting in what felt like long bursts of static disrupting a listening session of “You’ve Got The Love.” If only Dizzee wasn’t so busy buzzing around the stage like an overgrown gnat, this would have truly been the most lover-ly performance of the night.

All of my love to Florence for nabbing the most absolutely deserved “Album of the Year” award at the end of the night. I couldn’t be prouder!

1. Show Me The Love!

We’ve got the love, right here: Cheryl Cole’s showstopping performance of “Fight For This Love” was hands down the performance of the night. By the time the opening notes of Robin S‘s “Show Me Love” came sizzling in for a surprise remix (quickly followed by a flock of shirtless men) I was growing faint and Cheryl was growing even fiercer by the second. Shaking and crying, etc. etc. etc. AMAZING.

And now, the MuuMuse tweet of the night:

I don’t know who this Lady Gaga person is but he is on a ROLL tonight. #britawards

There’s more where that came from. Follow me on Twitter, Muusers!

Photo courtesy of Suck.com.

Year-end wrap up lists are nice and all, but it’s the “Most Anticipated” lists that are way more fun for me to read. The rumors! The possibilities! The inability to foresee a terrible album in the making! Who can resist the sweet, succulent taste of possibility?

Of course, there are dozens of albums being released, and I haven’t even begun to scratch the surface as far as what to expect. Nonetheless, I wanted to run down a few of my own personally anticipated releases for the new year.

So, without further ado, let’s roll out some of the biggest releases hitting shelves sometime in the next year. This will be the year of some ‘Sweet 7′s, it appears!

Sade, Soldier of Love (Sixth studio album)

What it is: The band’s first release in about a decade.
Expected shelf date: February 8, 2010.
Produced by: Mike Pela, Sade.
What we know: The album’s title track is a stunning achievement. Could the album possibly be anything less?
MuuMuse hopes to hear: Smooth, icy vocals and warm jazz sounds.

Ellie Goulding, TBA (Debut Album)

What it is: An exciting, possibly incredible (though potentially dead-in-the-water) debut by 2009′s leading indie electro-pop up-and-comer.
Expected shelf date: According to Play.com, March 3, 2010.
Confirmed tracks: “Starry Eyed,” “Under the Sheets,” “Wish I Stayed”
Production by: Starsmith, Frankmusik
What we know: It’s been in the works for a while. She’s quirky, her music is interesting and fresh, and we haven’t heard a dud from her yet. Let’s just hope this is released before the hype catches up with her first.
MuuMuse hopes to hear: “Starry Eyed” and “Under the Sheets” repeated a dozen times over.

Kylie Minogue, TBA (Eleventh studio album)

What it is: Divine intervention. (That should totally be the album title!)
Expected shelf date: Unknown, probably 3Q or 4Q 2010.
Confirmed tracks: “Better Than Today”
Production by: Nerina Pallot
What we know: Hardly anything, aside from the fact that Kylie was looking to Barbarella for inspiration while recording in New York a few weeks ago.
MuuMuse hopes to hear: The slick, coquettish electronica of Body Language (“Slow”) mixed the with sophisticated, edgy dancefloor flow of X (“Speakerphone”). And a little less emphasis on the camp factor, s’il vous plait.

Girls Aloud, TBA (Sixth studio album)

What it is: A much-needed comeback album from the greatest girl group since the Spice Girls.
Production by: I mean…it has to be Xenomania, right?
Expected shelf date: Way, way later in 2010.
What we know: Nothing, aside from the fact that their official website confirmed an album slated for 2010.
MuuMuse hopes to hear: A shying away from the drum-and-bass sound and a prolonged stay in the territory of “Untouchable” and “Memory of You.”

Jennifer Lopez, Love? (Seventh Studio Album)

What it is: Jennifer ‘Lola J-Lo Jenny Rudebooty’ Lopez takes it to the streets once again to prove she still has ‘flava.’
Expected shelf date: April 2010.
Confirmed tracks: “Louboutins,” “Fresh Out The Oven,” Everybody’s Girl,” “What Is Love,” Starting Over,” “Beautiful,” “This Cannot Be Love,” “One Love,” “Keeper”
Production by: Mike Caren, The-Dream, Tricky Stewart, D’Mile, Danja, Darkchild, The Neptunes
What we know: Rap-Up’s write-up of the album preview includes terms like “electro-pop beat,” “slick uptempo production” and “guitar driven ballad.”
MuuMuse hopes to hear: A return to the dancefloor a la “Waiting for Tonight” with some guilty pleasure stompers like “Louboutins.” Minimal ballads, please.

Sugababes, Sweet 7 (Seventh Studio Album)

What it is: The grand unveiling of a new Sugababes era. Ladies and gentlemen, meet Jade, Amelle, and Heidi.
Expected shelf date: February 28, 2010
Confirmed tracks: “Get Sexy,” “About A Girl,” “Thank You For The Heartbreak,” “Miss Everything,” “Wear My Kiss”
Production by: RedOne, Sean Kingston, Ne-Yo, The Smeezingtons, Fernando Garibay
What we know: How half of the album sounds. The Sweet 7 album sampler featuring Keisha leaked onto the net a few months ago. However, there’s been talk of recording new tracks.
MuuMuse hopes to hear: What we’ve been hearing. Slick, modern production and a fierce new confidence never before honed by the original three line-ups: It’s time to let Sweet 7 go Vanity 6.

Röyksopp, Senior (Fourth studio album)

What it is: The ambient, down-tempo companion piece to one of 2009′s greatest albums, Junior.
Expected shelf date: Early 2010.
Confirmed tracks: “The Alcoholic,” “The Fear,” “Coming Home”
Production by: Royksopp
What we know: From TLOBF: “Senior is more withdrawn and introspective and create an atmosphere and an ambience, to sit down and if you don’t need constant loud information all the time that’s what Senior is all about.”
MuuMuse hopes to hear: A more sophisticated, contemplative extension of Melody AM.

Uffie, Sex Dreams and Denim Jeans (Debut album)

What it is: The incredibly overdue debut of an underground trash-pop queen in the making.
Confirmed tracks: “Pop the Glock,” “Hot Chick,” “MC’s Can Kiss”
Expected shelf date: February 14, 2010, according to The Guardian.
Production by: Mr. Oizo, Mirwais, Pharrell
What we know: “MC’s Can Kiss,” the upcoming single off of the album, is an old-school-hip-hop-meets-modern-beats orgy.
MuuMuse hopes to hear: Sick beatz from some extremely talented producers…and a whole lot of trash talkin’.

Britney Spears, TBA (7th Studio Album)

What it is: Don’t even get me started…don’t even get me started.
Production by: Track submissions are pouring in from the likes of Darkchild, Max Martin, Sean Garrett, Danja, Fernando Garibay, David Guetta, and many more.
Expected shelf date: Though Digital Spy reports that Jive is looking for a May 2010 release, I can’t help but assume that we’ll see this around the same time we’ve always seen Britney releases for the past three albums–the very end of the year.
What we know: Nothing really.
MuuMuse hopes to hear: Icy R&B-infused electronica. Anything by Bloodshy & Avant. Anything in the direction of “And Then We Kiss.” Less Circus, more Blackout, but with soul. By the way, can we finally call this one Original Doll, Team Spears?

Honestly, It doesn’t even matter what it sounds like in the end. Why? Because it’s Britney, bitch. That’s why.