filed under: Bloodshy And Avant, Britney Spears, Danja, Guest Muuse, Kara DioGuardi, Keri Hilson, Klas Åhlund, Pharrell Williams, Robyn, T-Pain, Teddybears, Timbaland
Another day, another drama…
In helping to celebrate Blackout Purchase Week (have you entered the MuuMuse giveaway yet?), MuuMuse is proud to present “Blackout Once Again: A Look Back at Britney Spears’ Greatest Album,” an incredibly comprehensive, in-depth examination of Britney‘s fifth studio album, written by Vertigo Shtick‘s David Salter.
If there’s anything to be said about Blackout, it’s featured here in this extraordinary piece. A must read, Muusers!
Please click “Read More…” to see the full article. (MOAH!)
Alex Winston may be the most promising pop chanteuse to emerge in 2011.
Since first garnering attention in early 2010 with buzz track “Animal Baby,” the Detroit native has distinguished herself from her contemporaries by releasing a series of well-curated covers, including songs by artists as diverse as Mumford & Sons, The Rolling Stones, and Teddybears.
Her original material, though, is even better — sometimes chipper, sometimes heartbreaking, but always unfailingly likable — and her resonance hasn’t gone unnoticed. Single “Choice Notes” is now featured prominently in a European car commercial, and Alex has been featured in outlets like Interview, Spin, and Pitchfork.
With the help of her frequent collaborators, super-hot producers The Knocks, as well as rising star Charlie Hugall (who produced Florence + the Machine‘s stunning cover of “You Got the Love”), Alex is quickly joining the ranks of Marina and Ellie as one of pop’s most distinctive and innovative voices.
She also recently signed a deal through the new publishing imprint Beyond Gold, a co-venture between the reliably amazing Neon Gold Records and Warner/Chappell Music — which should guarantee that her talents receive international attention.
I caught up with Alex to discuss her unique sound, label politics, and the real story behind polygamy anthem “Sister Wife.” Read on to find out more!
filed under: Arctic Monkeys, Beyonce, Billie Holiday, Bloodshy And Avant, Britney Spears, Cathy Dennis, Christina Aguilera, Clive Davis, Dallas Austin, Diplo, Dr. Dre, Dr. Luke, Eddie Murphy, Fernando Garibay, Frankmusik, Greg Kurstin, Guest Muuse, Heidi Montag, I Blame Coco, Jordin Sparks, Kylie Minogue, Lady Gaga, Leona Lewis, Lily Allen, Linda Perry, Little Boots, Madonna, Mariah Carey, Mark Ronson, Michael Jackson, Miike Snow, Miley Cyrus, Nicole Richie, Paris Hilton, Rick James, Royksopp, Ryan Tedder, Stevie Nicks, Taylor Swift, Teddybears, The Beatles, The Veronicas, The Virgins, Timbaland, Vampire Weekend, Vanity 6, Whitney Houston
So, this is something new and interesting.
The night before my interview with Sky Ferreira, I received a vaguely mysterious e-mail from MuuMuse reader Sam Lansky with an attachment entitled “Fame Fatale.” The e-mail suggested that the attached may assist me in preparing for my interview.
As soon as I began reading, I already knew: This had to be published immediately.
“Fame Fatale” is not only a remarkably in-depth analysis (and personal account) of Ferreira’s curious rise to fame, but a thoughtful contemplation of the manufacturing of the modern pop star and the very conventions of the music industry itself. It’s extremely well-researched, poses tough questions, and deserves your full attention.
With his permission, I’ve asked Sam to feature his article on MuuMuse. It’s an incredible piece, and I do highly recommend that all of my Muusers give it a thorough reading–even if it’s “tl;dr” territory.
I do, after all, hope to keep a literate company.
Click “Read More…” to read Sam Lansky’s “Fame Fatale: The Rise of Sky Ferreira.”
Robyn did an awesome performance of “Cobrastyle” on Letterman last night in promotion of her American release of Robyn, featuring the Teddybears. More impressive really though is the Bear’s ability to play their instruments with their fat, fat heads. Is anyone else ready for Robyn to get a new hairstyle? I’m a bit bored with the Flock-of-Seagulls-gone-flat look.









