MuuMuse » Temposhark

Now Streaming: Temposhark – “Threads” (Morgan Page Remix)

Bradley Stern — Mon, 18 Jan 2010 17:10:57 +0000

Click below to hear the full stream of L.A. DJ Morgan Page‘s deep house remix of “Threads,” the latest single from Temposhark.

The mix, which features chilled, stinging electronica and classic house beats, is a strong departure from Temposhark’s latest as we now find the singer stepping off the club’s smoke-filled stage and making a beeline for the dance floor.

My favorite moments include the post-chorus “woo-oo-ooh” bits and the Madonna-esque “I’m waiting and waiting and waiting and waiting for you” breakdown three minutes into the mix.

The single, featuring three mixes from Morgan Page, is now available worldwide at Amazon and iTunes.

Temposhark: Bye Bye Baby (Monsieur Adi Remix)

Bradley Stern — Thu, 26 Nov 2009 17:00:45 +0000

Last week, MuuMuse excluusively premiered the audio stream of Temposhark‘s new single, “Bye Bye Bye.”

This week? Why, a free remix of course!

Check below to enjoy the excellent Monsieur Adi mix–a pumping, synthy affair that suits the original track quite well.

PS: If you haven’t already seen the video, check it out now. It’s all sorts of Twilight-friendly fun. TEAM JACOB!!! Wait, what?

DL: Temposhark – Bye Bye Baby (Monsieur Adi Remix)

MuuMuse Excluusive: Listen to Temposhark’s New Single, “Bye Bye Baby.”

Bradley Stern — Thu, 19 Nov 2009 18:23:59 +0000

MuuMuse has been invited to premiere the excluusive stream of Temposhark‘s fiesty new single, “Bye Bye Baby” off of the upcoming album, Threads.

The song, co-written by Rob Diament and the song’s producer, Sean McGhee, will be released on November 23 from all digital outlets, along with remixes by Japayork, Melnyk and Monsieur Adi.

The video was just released on ArjanWrites as well, which you can check out right here.

So, what do you think?

Temposhark: The World Does Not Revolve Around You (Video Premiere)

Bradley Stern — Mon, 14 Sep 2009 17:33:29 +0000

Anyone need a fresh dose of vanity on this Monday afternoon?

Voila! Click above to check out the brand new video clip for â€œThe World Does Not Revolve Around You,â€ Temposharkâ€™s new single from their upcoming album due earlier next year. Revolving around a saloon-style dating service, lead singer Rob Diament sighs his way through a batch of sub-par suitors until happening upon his dream date. Cute!

Something tells me youâ€™ll be hearing a lot more from Temposhark â€˜round these parts very soon…perhaps even some excluusives. Watch this space .

Purchase “The World Does Not Revolve Around You” on iTunes | MySpace | Official Website

Introducing…The Gadsdens!

Bradley Stern — Mon, 26 Jan 2009 23:18:00 +0000

In an industry mired in dime-a-dozen bands and MySpace insta-lebrities, today’s bands tend to suffer from the same symptoms of overzealous promotion, ultimately leading to Ã¼ber-entitlement and general gloating. Yet despite the mighty roar of the media machines behind these bands, a large majority can hardly muster a meow when finally thrust into the spotlight.

Expecting The Gadsdens to fare no differently, I moseyed over to their MySpace with a firm expectation of mediocrity.

Well, I was wrong*. Much to my surprise, The Gadsdens provide a much needed breath of fresh air in a landscape dominated by “average,” blending together the breezy sounds of some of the finer purveyors of contemporary pop, including Take That, Imogen Heap, and even a hint of Vanessa Carlton.

Though there are subtle suggestions of blues and folk-inspired influence sprinkled throughout, the majority of The Gadsdens’ collection is largely pop-based. And unlike so many bands that claim to intentionally “pay homage” to the greater pop moments of the ’80′s and ’90′s in an obnoxious, tongue-in-cheek manner, The Gadsdens carry yesterday’s elements into their music in a wonderfully unpretentious manner.

I absolutely adore the lead singer’s vocals, which seemingly glide through the scales quite effortlessly on tracks like the sweetly tender “Heartbreaker.” Other tracks, like the title track from their upcoming EP, “The Sailor Song” strike me as a brighter rendition of The Decemberists and a bit of ’90′s female singer-songwriter, a la Natalie Merchant.

Though I’m not going to speak for the group, I’m willing to bet that their genuine sound stems from a genuine respect for pop–The group’s blog certainly seems to suggest this influence. (Lykke Li, Siobhan Donaghy, The Cardigans, and Grace Jones for starters.)

The group will be releasing the Sailor Song EP on March 23, a collection of 5 tracks produced by Sean McGhee. Though the band have supported Temposhark on tour, been named as one of the best unsigned acts by NME, and played on BBC’s Radio 6, the band is still bubbling under. Let’s change that, shall we?

Easy, breezy, beautiful…It’s no longer just a phrase for make-up, folks.

DL: The Gadsdens – The Sailor Song (Sharebee)

The Sailor Song EP will be available digitally on iTunes on March 23. For more from The Gadsdens, click here.

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*I really should have known better, considering my ever-reliable blogger buddy XO named The Gadsdens’ “Sailor Song” as one of his Top Tracks of ’08.

Finally Visible

Bradley Stern — Thu, 27 Mar 2008 17:15:00 +0000

Just as a reminder, Temposhark‘s The Invisible Line is finally out in physical format this week. Remember to check out the MuuMuse album review here, and an exluusive interview with the band right here! Oh, and the CD’s already out on iTunes if you’re into getting it digitally, so check here if so!

Turn Up The Stereo

Bradley Stern — Thu, 07 Feb 2008 18:55:00 +0000

And now for another MuuMuse exclusive!

Click below for an exclusive MP3 Download of Akira the Don’s remix of Temposhark’s “Bang.” It’s a whole lot of rap, if you’re into that sort of thing. And if you’re not, there’s a lot of deep and dirty electro riffs underneath the track to keep you slightly more interested.

DL: Temposhark – Bang (Akira the Don vs. Temposhark Remix)

Interview with Temposhark

Bradley Stern — Tue, 15 Jan 2008 19:37:00 +0000

Read on for my exclusive interview with Rob Diament from U.K. electro-pop band, Temposhark!

First, I’d like to give the band the opportunity to describe their music. In three words or less.

Like Temposhark hopefully!

Alright. But seriously…WHAT TOOK YOU GUYS SO LONG TO RELEASE THIS?! It’s wonderfully brilliant!!

Itâ€™s been a gradual evolution with Temposhark. Luke was studying in Brighton and Iâ€™d gone there for a weekend party with some other friends and we all stayed at his student halls. Iâ€™d known him a bit since I was 12 years old, but not really that well. At that party, we found out we had similar tastes in music. Heâ€™d been experimenting on some interesting films and music with Tasha Kahn, (who later became the wonderful Bat For Lashes).

I remember they were doing an art project in the big Brighton church. I heard Lukeâ€™s beats and was really drawn to them. They were kind of crunchy like Bjorkâ€™s Homogenic album. Iâ€™d been writing for months with a big producer in London called Youth (from Killing Joke) and I really liked the idea of trying out the kind of songs Iâ€™d written with Youth over the sounds that Luke was playing with. So we started to do lots of stuff in Brighton, some live music performances that included our first few embryonic Temposhark songs. But it wasnâ€™t a major focus for either of us at that time, just a bit of fun.

It was only later in 2004, when we both moved to London, that we actually started to really focus on the band. When we released our first EP we only had about 6 songs so it wasnâ€™t like most bands when you release your first single in order to promote your album. We hadnâ€™t actually made an album yet!

I set up my own tiny record label called Paper and Glue and we began to just put out CDs and vinyl with the student loans weâ€™d got from studying. Luke spent most of his on computer stuff or keyboards and I spent mine on making up vinyl and CDs. It felt like a real adventure at the time, and there was a real buzz in the London club scene. We used to go out clubbing most nights of the week and it was around the time that Electroklash was getting popular. I saw some wicked club shows by people like Gonzales, Peaches, Taylor Savvy and later Fischerspooner came along. It was such a breath of fresh air seeing their shows, the rawness, the attitude, their sense of fun, it was all really inspiring. Temposhark got invited to play a lot of gigs around that time, at places like Kashpoint, Electrogogo, Nag Nag Nagâ€¦ it was real DIY ethos, you just got up and performed. There wasnâ€™t much thought put into it, it was just fun.

The other thing about that scene at the time was the emphasis wasnâ€™t always on the music. A lot of the London bands performing were more about the costumes or the make up or the dancing. Whilst I really loved all that side of it, when it actually came to my own music, I wanted it to be about the songs first and foremost. Iâ€™m fundamentally a songwriter and my dream was always to make an album. I was also into really emotional music like Frou Frou and Mandalay and Bjork.

The kind of acts who had meaning in both their soundworlds and lyrics. So that was something both Luke and I were striving for in making the actual album. We wanted it to showcase all of our influences, from our early days in the London clubs to the more chilled out, thoughtful music weâ€™d been listening to. Our love of that kind of music led us to Guy Sigsworth and Sean McGhee who we were so privileged to have worked with on the eventual album. Once weâ€™d made the record, we also go a band together with real drums and bass, and made all the keyboards and noises live. It was really important for us to grow in this way.

How does it feel to finally have your debut album materialize into an actual product?

Really, really amazing. I am very proud of it. It feels like weâ€™ve achieved something. Itâ€™s cool to know its about to be available everywhere, especially over in the USA and Canada. I feel a real closeness with that part of the world and its exciting that weâ€™ve now got a deal for those areasâ€¦ it was always a dream of mine to put a record out there!

Your sound is incredibly raw and emotional. What musical artists would you say that you draw influence from?

Iâ€™d grown up listening to more emotional music. Storytellers like Kate Bush, Tori Amos, Joni Mitchell and Laura Nyro, as well as overtly pop stuff like Prince, Madonna and David Bowie. So I guess I naturally combined all those influences. Words have always been really important to me too, I think songs are an amazing way of saying something powerful, itâ€™s just so immediate and Iâ€™ve always loved the way music can reach loads of people in a way a poem canâ€™t.

Are there any personal favorite tracks from the album, or tracks that you feel best symbolize the musical expression of Temposhark as a band?

I really like Winterâ€™s Coming, Not that Big and Blame. Plus songs like Joy always make me smile.

Back in 2006, the band hosted a podcast series and interviewed Kate Havnevik during one of the episodes. How did you guys meet? I know you remixed her amazing track, “Unlike Me,” but can we expect any future collaborations with each other?

We met Kate at Guy Sigsworthâ€™s studio one day. Regarding collaboration, possibly yes. We remixed a song for her already called â€˜You Againâ€™. Kate is really cool, a great writer and Iâ€™d like to write with her one day. Sheâ€™s also a genuine and sweet person, its always lovely to be around her.

I’ve also always been in love with the Temposhark remix of M.I.A.’s “Pull Up The People.” Do you expect to do more remixes in the future for other artists in general?

Yes of course, but weâ€™re quite picky over what we remix as it takes a lot of energy to remix someoneâ€™s song and I think there had to be a strong connection to their music and yours. I loved the M.I.A. remix we did and also the one for French singer Camille. Sheâ€™s amazing.

Past releases have always had strong visuals for cover art, but never members of the band. What was the inspiration for The Invisible Line’s artwork?

We just felt it was finally time to put ourselves on the cover! Weâ€™re really proud of this record. We also felt like this was finally a statement of intent if you will. Like, â€˜hello weâ€™re hereâ€™. Love us or hate us, weâ€™ve arrived. Thatâ€™s why Iâ€™m looking straight out, itâ€™s direct.

You’ve officially played live plenty of times in both the U.K. and the United States…Is there a difference in the fan reception from the countries? The energy and enthusiasm?

Yes there is actually. Both are good but very different. The USA crowds react to different songs and get really excited when Luke played his trumpet live for example. I also think the US want you to really go for it, put on a big show regardless of how big or small the venue. Whereas in the UK, in smaller venues I think people sometimes prefer their artists to be a bit more low keyâ€¦ The one thing that is exactly the same though is the enthusiasm from the fans of our music. Music really does unite people and I think even though weâ€™ve all grown up in different places with different cultures, weâ€™re actually all quite similar. I like the fact that music can show that weâ€™re all the same, we all feel the same thingsâ€¦

I’ve always wondered…was Temposhark a randomly generated name, or is there a more specific meaning?

We knew we had to get a band name and couldnâ€™t think of anything. Then one night I woke up in the middle of a dream and said quite firmly Temposhark. Just like that, I was certain it was the right name, it just felt right. We really liked the idea of music being a weapon, and Temposhark sounded strong and simple at the same time.

I am a huge fan of the works of both Guy Sigsworth and Imogen Heap. In fact, Imogen’s music eventually lead me to find Temposhark! What was it like collaborating with these two brilliant musicians?

Inspiring. Theyâ€™re both such unique, kind and endlessly talented people. Itâ€™s great that more and more people are tuning into the Frou Frou album â€˜Detailsâ€™. Itâ€™s a classic record.

Finally, my favorite part of an interview: The spoilers and juicy tidbits. What’s next for the future of Temposhark?

Well the first album comes out last week of March. We should be coming back to tour in April or May. This is all just the beginning! Oh and Iâ€™m not sure anyone knows yet, but thereâ€™s definitely going to be a digital EP for Blame with remixes, plus thereâ€™s a non-album Bside called The River. It was one of the songs we wrote before making the album, and it was recorded in Lukeâ€™s bedroom studio. Thereâ€™s something really cool about that track, that I just wanted it to be heardâ€¦ I love itâ€™s bass line and the lyrics are pretty angry, hopefully people will like it.

Lastly, anything to say to the fans?

Thank you to anyone who has come to our shows so far or listened to our music. The best thing about the Internet is that weâ€™ve actually had a lot of contact with people who like our music, and thatâ€™s why I wanted to do this in the first place. Itâ€™s a way of sharing how I feel about the world and connecting with other people. Itâ€™s been really exciting so far and Iâ€™m looking forward to putting out more albums and touring more over the coming years! Come visit us at www.temposhark.com or www.myspace.com/temposhark.

Additionally, enjoy this exclusive track off of their upcoming album!

DL: Temposhark – Crime

Please be sure to pre-order Temposhark’s new album The Invisible Line at either Amazon UK, or through their official site.

Thanks again to Temposhark!

[REVIEW] Temposhark – The Invisible Line

Bradley Stern — Fri, 11 Jan 2008 12:18:00 +0000

Last week, I received the entire debut album of Temposhark, a U.K. electro-rock band I’ve spoken about before, to put under review. Read on to hear about Temposhark’s album, The Invisible Line:

The album sure starts with a bang of sorts. I’m still not sure what to make of “Don’t Mess With Me,” the manic, string-filled declaration of dominance devoted to taunting potential foes and maintaining control. It’s tongue in cheek and strange, and quite a curious way to begin the album. “Don’t mess with me / ‘Cause all your heads are gonna roll / I’ve made your misery my goal / So if you want survival, kneel on my arrival / Cause this is how I rule the world,” Rob explodes after the two minute mark. It’s daunting and unexpected, but the track plays like a musical soundtrack, rather than a pop record.

In comes “Joy,” and I’m in familiar territory. One of my favorites, “Joy” is a juicy stomper on top of delicious synth-electro. Rob’s voice is top quality in “Joy,” and so is the production. “Blame,” another killer track, The lyrics are riddled with proclamations of power and dominance, which makes the arrival of “It’s Better To Have Loved,” as well as “Winter’s Coming” so well received. “It’s Better To Have Loved” has been noticeably reworked with a few extra blips in the backtrack, but is otherwise polished to near perfection, while “Not That Big” with Imogen Heap has improved since my initial listen a year ago, profiting from the inclusion of additional vocal acrobatics by Heap.

There are a few missteps; The mid-tempo seductive beat of “Crime” is too similar to “Little White Lie” for my taste. But overall, the musical variety of the album is comforting, especially as the album draws to a close with “Invisible Ink,” a minimalist, pensive track, in which Rob slowly coos “Don’t leave the world without making them think / Don’t leave the world without changing something.”

My personal favorite, “Winter’s Coming” is a perfect album closer. The song is a strict reversal of sound; anxious breathiness replace Rob’s usually confident vocals, making room for a much richer, deeper musical experience, similar to the styling of Darren Hayes, that wins me over in this soaring ballad produced by Guy Sigsworth.

Overall, The Invisible Line is an album that toys with conceptions of contempt and greed, power and longing within the simplest of lyrics and catchiest of melodies. Many of the tracks are fun, chorus-heavy synth-stompers with deliciously sinister hooks, yet there are inklings of a more mature, eclectic sound hidden deep beneath the glossed layers.

Overall Grade: A-

Please remember to buy Temposhark’s The Invisible Line at Amazon.co.uk or their official site.

And you, what do you think?

Alanis To Get Tangled Up

Bradley Stern — Wed, 02 Jan 2008 16:11:00 +0000

Rob Diament of Temposhark, writing for ArjanWrites, got to preview Alanis’ new record, and compared the CD to that of Ray of Light by Madonna. If this as career-reviving and mind-blowingly inventive as he insists, this should be the one to look for in 2008!

Flavors of Entanglement is due out Spring 2008.

And you, what do you think?