Sounds like: The Presets, Cut Copy, Empire of the Sun
Genre: Synth-pop, dance-pop, electronica

After my post about Jodie Aysha, I was reminded of another act that my buddy JJS of It’s The Money Shot! breathlessly told me about months ago. I’ve waited for far too long to do this Introduucing piece, but the time has finally come!

Garçon Garçon (adorable name!) are Nathan Mahon and Nick Tsirimokos, a synth-pop male duo (gorgeous men!) hailing from Sydney, the land where all good synth-pop acts are born (please see Cut Copy, Sneaky Sound System, Empire Of The Sun, et al.)

While there’s not too much information about these sexy specimens quite yet aside from this extremely likable video introduction, Garçon Garçon have released two demos available for download on their Facebook page thus far: “Take Me Out” and “Maybe Tonight.”

Both songs are smartly crafted electro-pop concoctions, teeming with ’80′s-inspired synthesizers and romantic, forlorn vocals. Very New Wave, very accessible, and very, very catchy.

I’m especially obsessed with “Maybe Tonight”: “Maybe he’ll be out there tonight, maybe he’ll be somewhere tonight / But if I had a love, he’d never go away from me,” Nathan sings sweetly above a cool stream of dreamy synthesizers and 8-bit electronica. Oh, how my heart melts!

I suggest you snatch both of these up immediately.

DL: Garçon Garçon – Take Me Out

DL: Garçon Garçon – Maybe Tonight

While we wait to hear more, Manhunt Daily posted an in-depth interview with Garçon Garçon recently, outlining their musical interests and influences (Nick listens to LCD Soundsystem and M.I.A.! Nathan listens to The Knife and Sigur Ros!), their thoughts on being out in the music industry, and what we can expect to hear from their upcoming EP.

It’s a must read!

Garçon Garçon’s debut EP, entitled EP, will be released Summer 2011.

Here now is the video for Sunday Girl‘s cover of “Self Control,” which I first wrote about a few weeks ago.

Basically, we’ve got a very pretty girl (Sunday Girl, to be specific) writhing around on the floor, along with some dusty old furniture and deer heads.

It’s a bit like a high fashion perfume commercial (which is great for me because I love high fashion perfume commercials), except the visuals are a bit darker than your usual pearls-and-diamonds glam fest (The Knife is coming to mind for some reason)–making this all the more of a gorgeous, Gothic affair.

I approve entirely.

For more on Sunday Girl, check out the official website here.

How can you become the best at anything? The way you do it is you just try to kill it every time.

Natalia Kills is a very new kind of radio killer.

Starting with the release of her murderously good buzz single at the end of 2009, “Zombie,” the soon-to-be superstar began capturing new fans left and right with her noir-gone-glam style and urban-meets-dance sound, immediately awarding herself the title of “Most Anticipated of 2010″ here at MuuMuse.

Now, with her self-produced, self-directed “Love, Kills XX” web series (check out the fifth installment, which just premiered yesterday), the singer has prepared herself a unique platform to introduce herself, her creative vision, and her music to the world.

As one of Cherrytree/Interscope’s newest artists on the brink of debut (with an album to be released in the fall), Kills was nice enough to chat with me on the phone last Friday about her background, as well as providing plenty of hints for what’s to come.

Check out our full conversation below to learn more about Natalia’s influences, ambitions, and plans for world domination. And yes–she’s deadly serious about all of it.

Hey Natalia! How are you?

I’m fine, thank you. How are you?

I’m doing great. You’ll have to forgive me. I’m getting over a bit of a cold, so my throat’s kind of scratchy today.

No problem! I hope you feel better.

Oh, thank you! So, you are, of course a very new artist under Cherrytree. I was wondering how you ended up under the label?

Actually, it was quite a while ago. Basically, I’m from England and I made a demo and put it on the internet in 2008. Perez Hilton blogged about me and I got all of this buzz. One of my songs got two million plays in a very short period of time. So, I went to L.A. and had kind of been going for a while hoping to make some contacts and follow my dreams–you know how a lot of people go to Hollywood to make it and such. So I went back to L.A. and I met a lot of people, but it wasn’t that hard to know if you go with Will [Will.I.Am].

I met with labels and a lot of other producers and artists: Timbaland, Justin Timberlake and just many people that had a really creative connection with Will. He signed me to Interscope. He has a label at Interscope and one of the labels I had actually met with that I was very excited about was Cherrytree at Interscope. So, once I signed with Will to Interscope, he has a really good relationship with Martin Kieszenbaum, who runs Cherrytree and is the head A&R of Interscope International and we kind of navigated my project back to there while Will was on the road with the Black Eyed Peas

Would you say that the image or narrative that you’re projecting right now is something that you started out with when you were searching for labels–the whole persona of Natalia Kills?

No, it’s definitely been an evolution. It’s definitely been a growing process. When I made my demo, it was actually called Wommanequin. It was under my real name, Natalia Cappuccini, and the whole thing was about searching for perfection. Being a girl; a mannequin being the perfect female form as a woman. So, I definitely started with the idea. My album is called Perfectionist. It’s literally the next step up from that demo; that idea. So, that idea hasn’t changed.

Developing who I am and making it more obvious was the first thing I was really encouraged to do once I was signed. You know, “Black Eyed Peas”–it says something. It’s a group. There are groups out there like The Knife, and certain words are very easy and invoke a certain feeling so that fans immediately identify. I thought to myself, in this quest for perfection and this great life and everything, “What do I want to do? How can you become the best at anything?” The way you do it is you just try to kill it every time. So, the label said “Maybe that’s what your name should be,” and I stuck with Natalia Kills.

I can see all of the influence that channel into the image because you have a sort of Tumblr style website with different pictures and quotes that inspire you and there’s of course the “Love, Kills XX” series. What sort of influences or references inspired the series?

I’ll give you a really small background of how I got into the film making. Basically, before I decided to do music, when I was quite a bit younger I was 14, I was doing a lot of acting. And you know a lot of creative people slide in and out of music, acting, and theater because it’s all a kind of system of being an expressionist. You have to express. You have to perform. So, I was doing that before I realized that music was what I really wanted to pursue.

I was on all of these sets learning lines and seeing how it was really done for years, and I have learned to a certain degree how it works. You write the script, you write the characters, you find locations, you find a director, you find a producer. and you make the show. So, when I was actually signed to the label they said “Look, I know you’re into all of this [Alfred] Hitchcock, [Stanley] Kubrick sort of stuff. But how are you going to translate that to people? What you need to do is be on the internet and make a diary or talk to the camera while going to the studio.” And I said that was silly to me, because I didn’t really want to be talking to the camera like “Yo, guys! I’m in the studio!” That’s not who I am. That’s not what I like.

So, I said “Well, how about the fans really get to know me through film?” They get to see me being me, but in almost imaginary and extraordinary situations. I’m writing, producing and co-directing it, so really, they’re getting a full-on take of my imagination, and that’s how they get to know me. Not just by seeing this Natalia Kills running around being a femme fatale maniac. They also get to see exactly what I think about, exactly how I feel by me writing all of this and actually directing it and making it real.

So, that’s kind of the general idea of the show, and we’re going to have twenty episodes. I’ve done most of them, but obviously you have to wait until they come out once a week. I’m very glad people are responding to it because it basically brings a very direct and visual impact to show people what it’s about instead of just pictures and interviews or whatever. It’s a different level of entertainment.

Are they leading up to something? Will there be a single or album release when they’re all said and done?

Yes, absolutely. We finished the album and it’s been wonderful. The single will hopefully be going on air in the summer and building from there.

Oh, good! Because you released two buzz singles..

Well, it’s funny. They were really buzz singles. “Zombie” was the first song I even recorded for the record, but I do have a first official uptempo–could be played radio; could be played pop single.

I’m so creative that it’s hard for me to hold back and make people wait for so long, so it was really good that the label allowed me to officially leak a couple of the songs so that people could get a really good feeling. The first single won’t be either of those songs, but definitely in the same vein. Same sound, same style.

You also gave a little preview in the latest series of another song..

Yep, and that will continue to happen, actually. That will keep happening, but if it was up to me, I would want my music to go out into the world and want people to hear it. I would be playing full versions, but I definitely have to leave a bit of mystery so when people get the album there are surprises on it.

Who have you worked with on the album besides Will.I.Am?

I’ve worked with really incredible producers. I’ve worked with Jeff Bhasker. He’s done work on Kanye West’s last two records and the one that’s coming up. Alicia Keys and Jay-Z’s albums as well. He did “Zombie” and is very rhythmic, dark and creative. It’s a lot of fun.

I’ve worked with Akon, who is a wonderful person. I was kind of wondering how he’d be before I met him because I had no idea, and you see people all over TV and they have a certain sound of music. But, when I met him he was very intelligent and creative. I totally understand why he and Will.I.Am. have achieved the level of success that they have because they’re really, really, really good.

I’ve worked with Fernando Garibay and Cherry Cherry Boom Boom [Martin Kierszenbaum] who have worked with Lady Gaga on her new album that no one has heard. She’s working on it right now.

I’ve worked with Ron Feemster who worked with Dr. Dre for five years and Michael Jackson for four years. He was Michael Jackson’s protégé. Michael’s new album that no one has heard (and probably won’t hear now) was all done with Ron. He was looking for a new artist and project after the passing of Michael, and it was really wonderful to work with him. He’s phenomenal, and I believe he could probably change the world with his music. He’s excellent.

That’s a great mix of producers. It sounds like some different sounds all in one..

Yeah, but you know what? The best thing was I got into the studio with Jeff and he started playing away. I do this thing were I choose all the sounds, so we’re kind of musically creating the actual music together. Once we found the sound and all of the different synths and rhythms and stuff, I went to all of the other producers and said “The songs we make have to marry this. They have to out-do it, they have to undo it, they have to re-do it, they have to all be absolutely consistent.”

So, even though I’ve worked with a couple of people on my album, all of those sounds and all of those ideas are absolutely consistent and flowing one after the other. It doesn’t sound like a patchwork of different sound, one in pop, one in hip-hop, one is urban or whatever. It actually sounds almost like the same person might have done every song, but just taking it to another level.

Do you know at all when it will be released?

Yes. In fall, my album will be released while we’re still growing the first single over the summer. I’m very excited for my album to come out. I am.

A lot of my readers were tweeting “When does new music come out?! Finally!”

Yeah, I know! I really want everyone to hear the music! At least the through the webisodes I can kind of leak little snippets so that people are already familiar.

Final question: A lot of artists in the industry are being compared to the same artist: Lady Gaga. What would you say to critics who may try to compare you to Gaga?

I would say thank you for comparing me to someone creative and talented, and not somebody who relies on other people or other sides of the industry to manufacture who they are. That’s what I would say. Thank you very much.

Good answer!

Thank you! Feel better!

Thanks!

Bye.

Bye.

Special thanks to RJ Kozain for transcription assistance.

Click here to visit Natalia Kills’ official website. To hear more, click here to preview and purchase songs from Natalia Kills on iTunes.

Iamamiwhoami (Jonna Lee) is back with another video. It’s a full song again, simply entitled “o.”

Now the music is getting just plain wonderful. “O” is like a gorgeous, electro-tinged Bat For Lashes track, mixed with elements of The Knife and Kate Bush.

You can currently pre-order the track on Amazon.

Drop the shroud of mystery and release this album already before this viral video thing gets any older, Jonna!

I was missing my weekly Iamamiwhoami fix!

In the latest video upload by the viral video sensation simply entitled “b,” the mystery tree licking lady in question finds herself in an entirely new realm: at home, singing and playing some sort of electro-organ while decked out in a full body plastic suit.

As usual, her face is warped by some funky camera techniques, though we’re granted long enough shots of her face to get a gander like never before.

One thing seems clear enough: This is absolutely not Christina Aguilera, and it doesn’t quite seem to be The Knife‘s Karin Dreijer either.

At the end of the day, it looks like we may be looking at an entirely new artist–one that, with the help of some major media hype, will have paved themselves a debut like none before.

While passing through the PopJustice forums, I stumbled upon a post mentioning the Toronto-based band, Parallels. While I didn’t (and admittedly, still don’t) know much about the group at the time, I now know this: their debut is amazing.

Visionaries, the band’s debut album released on February 6, brings to mind a potpourri of influences: Sally Shapiro, Belinda Carlisle, The Knife, Cat5, New Order and Cut Copy, among others. Not a bad set of sounds to come to mind, is it?

For fans of italo-disco, crystal synthesizers, and chilly grooves inspired by the dance floor sounds of yesterday, I believe you’ll find in Visionaries a truly unexpected delight.

Click here to stream Parallels‘ debut album, Visionaries, in full.

Click here to visit Parallels’ MySpace, and here to check out their music on iTunes.

The studio version of The Knife‘s upcoming opera Tomorrow, In A Year, featuring Mount Sims and Planningtorock, is now available for streaming.

The opera, which is based on Charles Darwin’s The Origin of Species and related publications on the subject of evolution, will be performed from January 29 to February 1 in Stockholm and later on June 5 in Münster.

Click on the player below to listen to the whole album. And no, I don’t think this relates to iamamiwhoami whatsoever.

Tomorrow, In A Year will be released on March 1.

Fever Ray, otherwise known as Karin Dreijer of The Knife, accepted the award for Best Dance artist at this year’s P3 Guld Awards in Sweden this weekend (the equivalent of the Grammy’s) in a very Fever Ray sort of way.

Gaga, eat your heart out.