If you’re like me, you spend a majority of your night lying awake in bed wondering aloud: “What are the Spice Girls doing with their lives right now?”

Well, Victoria‘s busy being flawless and pushing out babies named after magazines and fashionable jeans. Mel B is busy being pregnant, Emma‘s being mommy-like and hosting radio shows, and Geri‘s busy getting her biddies out with both an upcoming bikini line and new music. (Which of the two will burst out first? Who knows!)

As for Melanie C? She’s about to release her fifth studio album, The Sea.

After the quiet release of the (very good) “Rock Me” in June as an official tie-in with the 2011 FIFA Women’s World Cup (keeping it Sporty, always!), the singer has come rocketing back with the (amazing) official lead single from the campaign: “Think About It.”

Recorded with Adam Argyle (who also worked on Melanie’s last two studio albums) and Danish producer Cutfather (Kylie Minogue, The Wanted), “Think About It” might best be described as a perfect mash-up between “Raise Your Glass,” “Last Friday Night (T.G.I.F.)” and “Teenage Dream,” meshing the gritty guitar verses of P!nk and Katy Perry‘s rebel revelry anthems and mixing them up with the masterfully lush, dreamy choruses of Perry’s 2010 summer smash.

Is it the most original song? No, not particularly–it’s essentially the greatest parts of Teenage Dream. But one listen to those gorgeous, soaring vocals and pulsing summery synthesizers and you’ll likely forget that you probably heard this one playing on the radio before.

To order the limited edition “Think About It” CD single, click here.

The Sea will be released on September 4. (iTunes)

There was a lot of love in the air this year at the BRIT Awards. Not between the artists and the hosts, God no!–there was hardly any of that going on between all the cracking, bitchy commentary–but rather for the audience. There was Cheryl Cole fighting for our love as only she knows how, Florence Welch delivering hers to us with the help of an unfortunate rap interlude, and yes–even Courtney Love herself.

Let us now cycle through some the best, worst, and weirdest moments of the night. Love to love you, baby!

10. In A UK State of Mind

Nothing is as epic sounding as when Jay-Z and Alicia Keys perform “Empire State of Mind” together, but watching one of the greatest modern celebrations of New York go down in Londontown felt a bit, err..off.

Then again, this may be due to Lil Mama‘s absence–you were truly missed tonight.

9. Doing it For The Adults

Host: “You’re performing a medley…doing some oldies?”

Robbie Williams: “Yeah, mostly oldies, because the new stuff’s shit.”

8. Over-saturated with Spice

At first came euphoria. Then nostalgia. Then, way too much of a good thing. It was wonderful seeing (two fifths) of the Spice Girls win their award for the “Best Performance in 30 Years” category, but it soon became clear that the producers of the show had few celebrities to help buy time between the performances aside from Mel B and Geri. Again and again, the cameras cut to one of the two, and each time, it got a bit more painful: Awkward banter about living in L.A.! Geri wishing she knew the words to a Lady Gaga song! Next time, just cut to a still frame of Victoria Beckham frowning for two minutes. Our lives would be better, I assure you.

7. JLS Wins

Twice. And no one cares (aside from the audible boos.)

6. Whoa-oh-oh, I’m on a Rocket (And Drugs!)

Lily Allen, who opted for the “Joan Collins on crack” look came in on a sadly sinking rocket while performing “The Fear,” and then it all just sort of fell to pieces from there. Dancers! And colors! And baby carriages! And now we’re stage left! And now over to the right! I don’t know what just happened, Lily’s got no clue where she is, and I think I just saw Lady Gaga and Courtney Love making out in the audience.

5. Can’t Read My Telephone Face

Looking a bit like the Bridge of Frankenstein twice dabbled in cocaine dreams, Mademoiselle Gaga indulged the audience in an acoustic version of “Telephone” (the song about getting drunk in the club was performed in tribute to Lee McQueen, interesting choice), before launching into an all-too anticipation ridden, fragmented rendition of “Dance in the Dark.”

Sadly, by the time the singer collapsed in vogue following the song’s, well, “Vogue”-esque breakdown, so too did the performance, effectively blue balling the entirety of Britain and cutting short what could have been an outrageously epic performance. Still, I loved the use of the free-standing keytar…and the towering statue of the pop star herself, of course.

Subtle, as per usual.

4. Everybody’s Starry Eyed

Ellie Goulding wins the Critic’s Choice Award! (Pictured here with producer and friend, Starsmith).

3. Lily Alkie

Lily Allen, now opting for the “Joan Collins on crack in an orange wig” look, came bumbling on stage to accept her award for British Female Solo Act. After accepting the award on stage came this moment of brilliance backstage:

Host: “How are you going to celebrate Lily?”
Lily: “I’m…uh…I don’t know. Drink, maybe.”

2. You’ve (Almost) Got the Love

Everything about Florence’s performance tonight was lovely and almost perfect: The flowing gown and fiery red hair, the spot-on vocals, the fluttering hearts that cascaded at the song’s finale. So why almost The daft choice to add Dizzee Rascal into the mix, resulting in what felt like long bursts of static disrupting a listening session of “You’ve Got The Love.” If only Dizzee wasn’t so busy buzzing around the stage like an overgrown gnat, this would have truly been the most lover-ly performance of the night.

All of my love to Florence for nabbing the most absolutely deserved “Album of the Year” award at the end of the night. I couldn’t be prouder!

1. Show Me The Love!

We’ve got the love, right here: Cheryl Cole’s showstopping performance of “Fight For This Love” was hands down the performance of the night. By the time the opening notes of Robin S‘s “Show Me Love” came sizzling in for a surprise remix (quickly followed by a flock of shirtless men) I was growing faint and Cheryl was growing even fiercer by the second. Shaking and crying, etc. etc. etc. AMAZING.

And now, the MuuMuse tweet of the night:

I don’t know who this Lady Gaga person is but he is on a ROLL tonight. #britawards

There’s more where that came from. Follow me on Twitter, Muusers!

Today, the video for Cheryl Cole‘s upcoming single, “Parachute” premiered on her official site.

If her first two videos didn’t already solidify Cole as a full-fledged pop star in her own right, “Parachute” surely will. This is truly a piece of art, recalling the best moments of the past decade of Kylie Minogue‘s videography and the fierce poise and style of fellow girl grouper Victoria Beckham.

Gorgeous, moody lighting, sharp choreography…I’m in love. Absolutely stunning.

Bravo, Chezza!

With the recent news of Cheryl Cole‘s plan to record a solo album following the closure of the Aloud‘s Out Of Control Tour, I thought I’d put together my thoughts regarding the possibility for each Aloud’s individual successes if they were ever to go solo.

(Let’s face it, we have to do something to pass the time until the debut of Sophie Ellis-Bextor‘s video for “Heartbreak Make Me A Dancer.”)

Cheryl Cole
Probable Title: My Tyme
Sounds like: Victoria Beckham‘s original solo album; Top 40 “urban” pop
Actual Listenability: 6/10
Public Success: 7/10

Nicola Roberts
Probable Title: Teardrops
Sounds like: Astonishing, breathy quirk-pop; Lykke Li meets Bats For Lashes
Actual Listenability: 10/10
Public Success: 5/10

Sarah Harding
Probable Title: Take It 2 The Top
Sounds like: Cascada; Hi-NRG covers of Girls Aloud favorites
Actual Listenability: 4/10
Public Success: 6/10

Nadine Coyle
Probable Title: Nadine Coyle
Sounds like: Geri Halliwell‘s first solo album; crunchy pop confections, dance tracks, and torch songs.
Actual Listenability: 9/10
Public Success: 8/10

Kimberley Walsh
Probable Title: Wishing and Wishing
Sounds like: Kimberley Locke‘s musical career; covers of musicals and tired jazz standards
Actual Listenabiliy: 6/10
Public Success: 3/10

That sounds about right.

So too shall we watch Michelle Williams learn to go solo properly with her new video for “We Break The Dawn,” her brilliant first single from the upcoming album. Yeah, I know she had that whole “Christian solo career” business back in the day, but no one actually appreciates that type of work. So let’s all just agree to forget. Now, I think the dances could have been much more choreographed, and there could have been more outfits up in this shoot, but the brief paparazzi glamour shots and all that flinging in betwixt the male dancers were moments of pure love. I don’t know, did anyone else find her motions to be slightly reminiscent of those of the Queen of poshes herself, Victoria Beckham? Especially all that refusal to dance and voguing going on.

Anyway, I’m proud. It’s a solid attempt. I don’t know if she’ll capture the right audience, please the crowds, and all that nonsense, but she’s doing all that she should for this type of music. So fly away, chickadee…fly. Anywhere that Beyonce isn’t standing with a bloodied pair of clippers and a vengeful pair of eyes.

Victoria Beckham is the next face to appear on the cover of Vogue Magazine UK. Included in the issue is a twelve-page spread, shot by Nick Knight. The shoot is considered a rare honor, seeing as Vogue’s cover is usually only reserved for professional models. The magazine is due on the racks in April. So stick that in your Prada pipe and smoke it, Mr. Blackwell.

Source:ONTD
Source 2: PopCrunch

V.B. for Marc Spring collection continues..

Excuse me miss, but are you aware there’s a shrubbery growing atop your bob?

Source: BryanBoy

And you, what do you think?

Victoria Beckham for Marc Jacobs, Spring ’08.

Rather chic, y/n? I love what they’ve done with her face!

And you, what do you think?