After much debate, anger, and general hootenanny, the Kylie camp has finally released the specific details for the next releases by Ms. Minogue. It seems that TWO singles will be released, appeasing both the gays and the gayer gays. Club-happy “Wow” shall be released February 15th in the U.K., while ultra-gay, hands-in-the-air anthem “In My Arms” will be released throughout the rest of Europe.
The Herald Sun’s Cameron Adams interviewed Kylie and confirmed that the videos for the two singles will be shot in Los Angeles over this coming week. She said that “Wow” will contain a lot of neon (shocking.)
I don’t know if these are real, but if it is I’m rather excited. CSS? David Guetta? NICE.
1. WOW (David Guetta F*ck Me I’m Famous Remix)
2. WOW (MSTRKRFT Remix)
3. WOW (Death Metal Disco Scene Mix)
4. WOW (CSS Mix)
5. WOW (Radio Edit)
1. In My Arms (Spitzer Dub Version)
2. In My Arms (Spitzer Radio Edit)
3. In My Arms (Chris Lake Vocal Mix)
4. In My Arms (Chris Lake Dub Mix)
5. In My Arms (Sebastien Leger Mix)
6. In My Arms (Sebastien Leger Dub)
Zac Efron, who some believe to be the reincarnation of the baby Jesus, was rushed to Cedars-Sinai Medical Center (apparently, the only one that celebrities will enter) after suffering from appendicitis. His appendix has been removed, and he is recuperating according to his representative.
I hope it’s not too soon, but I’m just wondering when the public will be able to bid on his infected appendix, and/or if it glistens as brightly as his million dollar smile and creamy, beautiful, luscious skin. Not that I want it. Just curious.
In all seriousness, get well soon!
Source: TMZ
In case anyone else is interested in various British affairs, here are the list of the nominees for the 2008 Brit Awards. Oh, if only the Grammy lists were like this. And hell to the yes for Girls Aloud finally getting some well-deserved recognition. Pop’s dying, people. Resuscitation is found only in the form of golden statues and awkward speeches. Anyway, get on with it and read the list, remembering to boo and hiss when needed. Additionally, just in case you thought this list was to be posted without bias, I’ve taken the liberty of providing catty commentary regarding the possible winners within each category.
British male solo artist: Jamie T, Mark Ronson, Mika, Newton Faulkner, Richard Hawley.
I’ll go with Mika, because he is a homosexual and sometimes I feel like we have to work together to beat the system. Also, I know none of the other candidates besides Mark Ronson, who is genius but should probably be more responsible for producing music than performing it (Reading this, Timbaland?)
British female solo artist: Bat For Lashes, Kate Nash, KT Tunstall, Leona Lewis, PJ Harvey.
This is difficult, but I believe Bat For Lashes will take this because of her whole “Björk-ish” vibe. My personal favorite from the list is Kate Nash, however. Leona, I appreciate the Mariah-vival, but I can do without.
British group: Arctic Monkeys, Editors, Girls Aloud, Kaiser Chiefs, Take That.
Uh, duh. Girls Aloud. Artic Monkeys are wonderful at times, but I can’t go and disrespect my ladies. Besides…Cheryl really wants one, she said.
British album: Arctic Monkeys – Favourite Worst Nightmare, Leona Lewis – Spirit, Mark Ronson – Version, Mika – Life In Cartoon Motion, Take That – Beautiful World.
Tricky, tricky…I’ll have to say Arctic Monkeys will take it, but perhaps Leona, but maybe Mika. Oh, and Take That had a massive little comeback, didn’t they? Unless the judges get all strange and decide that Mark Ronson’s is the most well rounded what with the collaborations and all. And there’s my hard-set opinion on the matter.
British breakthrough act: Bat For Lashes, Kate Nash, Klaxons, Leona Lewis, Mika. (Winner chosen by BBC Radio 1 listeners)
Kate Nash. Screw you all.
British live act: Arctic Monkeys, Kaiser Chiefs, Klaxons, Muse, Take That. (Winner chosen by BBC Radio 2 listeners)
Arctic Monkeys. Based entirely on the performance two years ago by the Sugababes of “I Bet You Look Good On The Dancefloor,” which wasn’t on their latest album. That’s all I’ll have to say about that. Unless Muse takes it.
British single: Leona Lewis – Bleeding Love, Mika – Grace Kelly, Take That – Shine, Kaiser Chiefs – Ruby, Sugababes – About You Now, Mark Ronson Ft Amy Winehouse – Valerie, Kate Nash – Foundations, The Hoosiers – Worried About Ray, James Blunt – 1973, Mutya Buena – Real Girl. (A live public vote will decide the winner on the night)
Oh, fuck me. I mean, Leona kind of ate the U.K. with Bleeding Love, which is bleeding onto the entire world shortly. Although songs in falsetto such as Grace Kelly tend to stay in the voter’s mind well after they’ve chosen not to listen to the song anymore. Foundations is brilliant, but I can’t say that it can win over these powerhouses. Sugababes and Winehouse, I’m sorry, but your hearts weren’t into it. I wonder if Mutya feels a bit strange to be recognized along with her ex-bandmates. I hope they get grouped together for a blissfully tense nominee photo.
International male solo artist: Bruce Springsteen, Kanye West, Michael Buble, Rufus Wainwright, Timbaland.
Ummm, give a black man a chance. And by that, I mean Kanye. He’s said it himself. So let’s give it to him. That, and the others don’t really stand a chance when sales are compared. Although Rufus’ CD is pretty lovely.
International female solo artist: Alicia Keys, Björk, Feist, Kylie Minogue, Rihanna.
What are you trying to do to me? You can’t just go ahead and place Björk and Kylie in the same competition and expect me to simply accept that sort of analysis?? I can’t decide. If I had to, I would go with Kylie, because her CD delivered more than Björk’s did. I’m sorry. Oh, but as for the actual winner? Probably Feist or Rihanna. Bitches.
International group: Arcade Fire, Eagles, Foo Fighters, Kings of Leon, White Stripes.
Care level decreasing. I’ll go with White Stripes because they make him out to be so damn epic, and they make her out to be improving with each album. I haven’t heard any of their work, and so I am 100% confident in my decision.
International album: Arcade Fire – Neon Bible, Eagles – Long Road Out Of Eden, Foo Fighters – Echoes, Silence, Patience & Grace, Kings of Leon – Because Of The Times, Kylie Minogue – X.
Eesh. I’m actually more confident in a Kylie win for this one. What a strange bunch to pit against each other. Eagles may take it because they secretly crept up and stole the #1 chart position (for which I will never forgive them) from Britney back in October. I’ll go with my love and blindly believe in Kylie. Because I believe in you, I believe in, I believe in you, I believe in…you.
Read on for my exclusive interview with Rob Diament from U.K. electro-pop band, Temposhark!
First, I’d like to give the band the opportunity to describe their music. In three words or less.
Like Temposhark hopefully!
Alright. But seriously…WHAT TOOK YOU GUYS SO LONG TO RELEASE THIS?! It’s wonderfully brilliant!!
It’s been a gradual evolution with Temposhark. Luke was studying in Brighton and I’d gone there for a weekend party with some other friends and we all stayed at his student halls. I’d known him a bit since I was 12 years old, but not really that well. At that party, we found out we had similar tastes in music. He’d been experimenting on some interesting films and music with Tasha Kahn, (who later became the wonderful Bat For Lashes).
I remember they were doing an art project in the big Brighton church. I heard Luke’s beats and was really drawn to them. They were kind of crunchy like Bjork’s Homogenic album. I’d been writing for months with a big producer in London called Youth (from Killing Joke) and I really liked the idea of trying out the kind of songs I’d written with Youth over the sounds that Luke was playing with. So we started to do lots of stuff in Brighton, some live music performances that included our first few embryonic Temposhark songs. But it wasn’t a major focus for either of us at that time, just a bit of fun.
It was only later in 2004, when we both moved to London, that we actually started to really focus on the band. When we released our first EP we only had about 6 songs so it wasn’t like most bands when you release your first single in order to promote your album. We hadn’t actually made an album yet!
I set up my own tiny record label called Paper and Glue and we began to just put out CDs and vinyl with the student loans we’d got from studying. Luke spent most of his on computer stuff or keyboards and I spent mine on making up vinyl and CDs. It felt like a real adventure at the time, and there was a real buzz in the London club scene. We used to go out clubbing most nights of the week and it was around the time that Electroklash was getting popular. I saw some wicked club shows by people like Gonzales, Peaches, Taylor Savvy and later Fischerspooner came along. It was such a breath of fresh air seeing their shows, the rawness, the attitude, their sense of fun, it was all really inspiring. Temposhark got invited to play a lot of gigs around that time, at places like Kashpoint, Electrogogo, Nag Nag Nag… it was real DIY ethos, you just got up and performed. There wasn’t much thought put into it, it was just fun.
The other thing about that scene at the time was the emphasis wasn’t always on the music. A lot of the London bands performing were more about the costumes or the make up or the dancing. Whilst I really loved all that side of it, when it actually came to my own music, I wanted it to be about the songs first and foremost. I’m fundamentally a songwriter and my dream was always to make an album. I was also into really emotional music like Frou Frou and Mandalay and Bjork.
The kind of acts who had meaning in both their soundworlds and lyrics. So that was something both Luke and I were striving for in making the actual album. We wanted it to showcase all of our influences, from our early days in the London clubs to the more chilled out, thoughtful music we’d been listening to. Our love of that kind of music led us to Guy Sigsworth and Sean McGhee who we were so privileged to have worked with on the eventual album. Once we’d made the record, we also go a band together with real drums and bass, and made all the keyboards and noises live. It was really important for us to grow in this way.
How does it feel to finally have your debut album materialize into an actual product?
Really, really amazing. I am very proud of it. It feels like we’ve achieved something. It’s cool to know its about to be available everywhere, especially over in the USA and Canada. I feel a real closeness with that part of the world and its exciting that we’ve now got a deal for those areas… it was always a dream of mine to put a record out there!
Your sound is incredibly raw and emotional. What musical artists would you say that you draw influence from?
I’d grown up listening to more emotional music. Storytellers like Kate Bush, Tori Amos, Joni Mitchell and Laura Nyro, as well as overtly pop stuff like Prince, Madonna and David Bowie. So I guess I naturally combined all those influences. Words have always been really important to me too, I think songs are an amazing way of saying something powerful, it’s just so immediate and I’ve always loved the way music can reach loads of people in a way a poem can’t.
Are there any personal favorite tracks from the album, or tracks that you feel best symbolize the musical expression of Temposhark as a band?
I really like Winter’s Coming, Not that Big and Blame. Plus songs like Joy always make me smile.
Back in 2006, the band hosted a podcast series and interviewed Kate Havnevik during one of the episodes. How did you guys meet? I know you remixed her amazing track, “Unlike Me,” but can we expect any future collaborations with each other?
We met Kate at Guy Sigsworth’s studio one day. Regarding collaboration, possibly yes. We remixed a song for her already called ‘You Again’. Kate is really cool, a great writer and I’d like to write with her one day. She’s also a genuine and sweet person, its always lovely to be around her.
I’ve also always been in love with the Temposhark remix of M.I.A.’s “Pull Up The People.” Do you expect to do more remixes in the future for other artists in general?
Yes of course, but we’re quite picky over what we remix as it takes a lot of energy to remix someone’s song and I think there had to be a strong connection to their music and yours. I loved the M.I.A. remix we did and also the one for French singer Camille. She’s amazing.
Past releases have always had strong visuals for cover art, but never members of the band. What was the inspiration for The Invisible Line’s artwork?
We just felt it was finally time to put ourselves on the cover! We’re really proud of this record. We also felt like this was finally a statement of intent if you will. Like, ‘hello we’re here’. Love us or hate us, we’ve arrived. That’s why I’m looking straight out, it’s direct.
You’ve officially played live plenty of times in both the U.K. and the United States…Is there a difference in the fan reception from the countries? The energy and enthusiasm?
Yes there is actually. Both are good but very different. The USA crowds react to different songs and get really excited when Luke played his trumpet live for example. I also think the US want you to really go for it, put on a big show regardless of how big or small the venue. Whereas in the UK, in smaller venues I think people sometimes prefer their artists to be a bit more low key… The one thing that is exactly the same though is the enthusiasm from the fans of our music. Music really does unite people and I think even though we’ve all grown up in different places with different cultures, we’re actually all quite similar. I like the fact that music can show that we’re all the same, we all feel the same things…
I’ve always wondered…was Temposhark a randomly generated name, or is there a more specific meaning?
We knew we had to get a band name and couldn’t think of anything. Then one night I woke up in the middle of a dream and said quite firmly Temposhark. Just like that, I was certain it was the right name, it just felt right. We really liked the idea of music being a weapon, and Temposhark sounded strong and simple at the same time.
I am a huge fan of the works of both Guy Sigsworth and Imogen Heap. In fact, Imogen’s music eventually lead me to find Temposhark! What was it like collaborating with these two brilliant musicians?
Inspiring. They’re both such unique, kind and endlessly talented people. It’s great that more and more people are tuning into the Frou Frou album ‘Details’. It’s a classic record.
Finally, my favorite part of an interview: The spoilers and juicy tidbits. What’s next for the future of Temposhark?
Well the first album comes out last week of March. We should be coming back to tour in April or May. This is all just the beginning! Oh and I’m not sure anyone knows yet, but there’s definitely going to be a digital EP for Blame with remixes, plus there’s a non-album Bside called The River. It was one of the songs we wrote before making the album, and it was recorded in Luke’s bedroom studio. There’s something really cool about that track, that I just wanted it to be heard… I love it’s bass line and the lyrics are pretty angry, hopefully people will like it.
Lastly, anything to say to the fans?
Thank you to anyone who has come to our shows so far or listened to our music. The best thing about the Internet is that we’ve actually had a lot of contact with people who like our music, and that’s why I wanted to do this in the first place. It’s a way of sharing how I feel about the world and connecting with other people. It’s been really exciting so far and I’m looking forward to putting out more albums and touring more over the coming years! Come visit us at www.temposhark.com or www.myspace.com/temposhark.
Additionally, enjoy this exclusive track off of their upcoming album!
Please be sure to pre-order Temposhark’s new album The Invisible Line at either Amazon UK, or through their official site.
Thanks again to Temposhark!
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